free Boiler chords by Limp Bizkit

Limp bizkit - Boiler
Tom: E5
Tuning:C#

[Intro]

B5 C5 D5 E5 C5 D5 E5

Whoa________________
E5 - C5 D5
                     Whoa__o__oh_______
 E5                   E5                  C5                  D5
[Verse]

E5                                                           G5
Looks like I'm gonna do everything myself_     Maybe I could use some help_
But hell, you want something done right - You gotta do it yourself
C5
Maybe life is up and down  but  My life's been  what till now
D5
I crawled up your butt somehow     And that's when things got turned around
E5
I used to be alive___   Now I feel pathetic and now I get it
G5
What's done is done you just leave it alone_  and don't regret it
C5
But some_times_, some_ things_  turn_ in_to_ dumb_ things_
D5
And that's when you put your foot down! (your foot down!)

[Chorus]

E5
Why did I have to go and meet somebody like you__   (like you__)
E5
Why did you have to go and hurt somebody like me__    (like me__)
C5
 How you could do somebody like that__?   (like that__)
D5
 Hope you know that I'm never coming back   (never coming back)

[Verse]

E5
Looks like I'm gonna do everything myself_  (everything myself)
             G5
Maybe I COULD use some help_   But hell, you want something done right -
You just do it yourself (got it?)
C5
Maybe life is up and down  but  My life's been  what till now (got it)
D5
I crawled up your butt somehow (got it)
And that's when shit got turned around (got it)
E5
I used to be alive___   I'm so pathetic but now I get it
G5
What's done is done  I know  you JUST LEAVE IT ALONE  and don't regret it
C5
But some_times_, some_ things_  turn_ in_to_ dumb_ things_
D5
And that's when you put your foot down! (you put your foot down!)

[Chorus2]

E5
Why did I have to go and meet somebody like you__   (like you__)
E5
Why did you have to go and hurt somebody like me__    (like me__)
C5
 How you could do somebody like that__?
D5
 Hope you know that I'm never coming back   (never coming back)
E5
Why did I have to go and meet somebody like you__   (like you__)
E5
Why did you have to go and hurt somebody like me__    (like me__)
C5
 How you could do somebody like that__?
D5
 Hope you know that I'm never coming back   (never coming back)

[Bridge]

E5 (hold)
                Depending_ on you_  is done_,      giving_ to you_  is done_
           Cadd9
No__ more__ eating_ no sleeping   No living it's all just more
Dsus2
giving to you and I'm done_
E5 (drums)
                Depending_ on you_  is done_,      giving_ to you_  is done_
           Cadd9
No__ more__ eating_ no sleeping   No living it's all just more
Dsus2
giving to you and I'm done_
E5 (drums)
The hiding_ from you is DONE_, The lying_ from you is done
       Cadd9
No more ea__ting__ no slee__ping__   No li__ving__ it's all just more
Dsus2                        [stop]
giving to you and I'm done_

[Chorus3]

E5
Why did I have to go and meet somebody like you__   (like you__)
E5
Why did you have to go and hurt somebody like me__    (like me__)
C5
 How you could do somebody like that__?
D5
 Hope you know that I'm never coming back   (never coming back)
E5
Why did I have to go and meet somebody like you__   (like you__)
E5
Why did you have to go and hurt somebody like me__    (like me__)
C5
 How you could do somebody like that__?
D5
 Hope you know that I'm never coming back   (never coming back)
E5
Why_______________________________?
E5
WHY_______________________________?
C5
  You__ did__ some___________
D5
  You__ did__ some___________
E5
Why_______________________________?
E5
WHY_______________________________?
C5
  You__ did__ some___________
D5
  You__ did__ some___________
E5 (quiet)          G5
Cadd9        Dsus2
 Why__?         Why__?
E5

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free BEHIND BLUE EYES chords by Limp Bizkit

BEHIND BLUE EYES
Limp Bizkit

Em                     G               D
No one knows what it's like, to be the bad man,
         C          A
To be the sad man, behind blue eyes
Em                     G          D
No one knows what it's like to be hated,
     C                 A
To be fated, to telling only lies

CHORUS
      C  D                   G
But my dreams, they aren't as empty,
     C          D        E
As my conscience seems to be
      Bm           C
I have hours, only lonely
          D                      A
My love is vengeance that's never free


No one knows what it's like to feel these feelings
Like I do, and I blame you
No one bites back as hard on their anger
None of my pain and woe, can show through

CHORUS

D            Bm       A        E
When my fist clenches crack it open
        Bm         G       D
Before I use it and lose my cool
      Bm    A            E
When I smile tell me some bad news
        Bm        A          E
Before I laugh and act like a fool

And if I swallow anything evil
Stick your finger down my throat
If I shiver please give me a blanket
Keep me warm let me wear your coat

No one knows what it's like, to be the bad man
To be the sad man, behind blue eyes

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Limp Bizkit Biography

Source: Magazines
Limp Bizkit is a band from Jacksonville, Florida. They started out on around late 1994 giving free shows and concerts whenever they could get a gig. Yes i know its hard to believe but the Number 1 band in the nation once was nothing but your tipical Local Band trying to get a record deal. Fred and Sam met up and became good friends when Sam suggested his cousin, John Otto, to play the drums for the band. Later, Wes was brought into the picture along with House of Pains main man, DJ Lethal and Limp Bizkit was started. They got their name when Fred was talking to his friend (and now roadie) when said that "his brain was like a limp biscuit." So Fred liked it and the name of their band after it.

This is an awesome band that already has a large fan base from touring with Family Values, and other tours that tend to attract large crowds.It also helps when you open for bands such as Korn and the Deftones. Limp Bizkit, after all the struggles and shit they had to put up with, has the biggest fan crowd in North America with their first hit "Faith from the album 3 Dollar Bill Ya'll, then they really hit it big with there big hit "Nookie" which was on there sophmore album, Significant Other.

After "Nookie" took the top spot on every chart in Canada and US, it was time for Limp Bizkit to give alittle something back to the fans. That summer, Limp Bizkit started the now famous "Back to Basics Tour". This tour was a free tour, first come first serve basis and was ment to give something back to the fans and to thank them for their support. Soon after that Fred and the gang got ready to release their Junior (3rd) record to the public. Struggling with titles such as "Limpendence Day" and "The Chocolate Starfish and the Hotdog Flavored Water," Limp Bizkit finally decided on a name, "The Chocolate Starfish and the Hotdog Flavored Water." Around November/October they released the album. It was a total hit right away selling thousands within the first week. With hits such as "rollin" and "my generation" Limp Bizkit was back on top of the world.

Wes Borland dropped the group to set off in his own way, and this left the band short a guitarist. After trying Fred, and having a nation wide contest, then hadn't found anyone. John Otto, at a bar, was having fun. He ran into Mike Smith, former S.N.O.T native. They found each other talking, eventually jamming, and eventually touring.

Their fourth album is dropped Septemeber 23rd, and the first single off of it is "Eat You Alive". Results May Vary is the title of the album, and now is housing "Behind Blue Eyes" as it's single.

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free download "LAST RESORT chord" by Papa Roach

"LAST RESORT chords"-PAPA ROACH

for the advanced, all the chords are in 5 (E5, D5, etc) but this way is right (and easy) too
para los avanzados, todos los acordes se tocan en 5 (E5,D5,etc) pero esta forma es correcta (y facil)tambien

Cut my life into pieces this is my last resort
Em            D
, suffocation, no breathing
C                      B           D
Don't give a fuck if I cut my arms bleeding

Em D    C             B      D
         this is my last resort
Em D    C             B      D
         this is my last resort

Em D C B  D

1)
Em                D            C
Cut my life into pieces I've reached my last resort
       B           D
, suffocation, no breathing
Em                       D
Don't give a fuck if I cut my arms bleeding
C                  B          D
Do you even care if I die bleeding
Em                               D
Would it be wrong, would it be right
C                            B          D
If I took my life tonight, chance are that I might
Em                 D           C                        B  D
Mutilation out of sight and I'm contemplating suicide

2)
          Em               C
Cause I'm losing my sight, losing my mind
D
Wish somebody would tell me I'm fine

    Em               C
I'm losing my sight, losing my mind
D
Wish somebody would tell me I'm fine

Em D C B D

1)I never realized I was spread too thin
 Till it was too late and I was empty within
 Hungry, feeding on chaos and living in sin
 Downward spiral, where do I begin

 It all started when I lost my mother
 No love for myself and no love for another
 Searching to find a love upon a higher level
 Finding nothing but questions and devils

2)Cause I'm losing my sight, losing my mind
 Wish somebody would tell me I'm fine
 I'm losing my sight, losing my mind
 Wish somebody would tell me I'm fine

3)
Em            C     G        Bm
Nothing's alright, nothing is fine
Em    C             G   B
I'm running and I'm crying
Em    C    G
 I'm crying
  B     Em
I'm crying
   C     G
I'm crying
       B
I'm crying

4) Em  D     C      B  D  Em  D     C   B  D
   I   can't   go    on   li-ving this way

1)Cut my life into pieces this is my last resort
 suffocation, no breathing
 Don't give a fuck if I cut my arms bleeding

 Would it be wrong, would it be right
 If I took my life tonight, chance are that I might
 Mutilation out of sight and I'm contemplating suicide

2)Cause I'm losing my sight, losing my mind
 Wish somebody would tell me I'm fine
 I'm losing my sight, losing my mind
 Wish somebody would tell me I'm fine

3)Nothing's alright, nothing is fine
 I'm running and I'm crying

2)  I can't go on living this way

   I can't go on living this way
   Nothing's al.....right

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free download "She Loves Me Not chord" by Papa Roach

Papa Roach : "She Loves Me Not chord"

Drop D Tuning (all 5ths)

A   F     D
When I see her eyes, look into my eyes
       E
then I realise that she could see inside my head
A         F               D 
So I close my eyes thinking that I could hide
                      E                       G
Disassociate so that I don’t have to lose my head
A                       F   D
This situation, leads to agitation
   E
Will she cut me off?  Will this be amputation?

The fill around the chord is
E-------------------------
B-------------------------
G-------------------------
D---2  2----------------
A-------  3   3     0-----
D-------------------

A     F               D    E
I don’t know,      If        I care, I’m the jerk, life’s not fair
F       G          A
Fighting all the time, this is out of line she loves me not, loves me not
F        G      A     F G 
Do you realise I won’t compromise, she loves me not, loves me not

A
Over the past five years, I have shed my tears
I have drunk my beers and watched my fears fly away
Until this day, she still swings my way
But its sad to say sometimes she says loves me not
I hesitate, to tell her I hate, this relationship I want out today – this is over

A     F             Dsus2             E
I don’t know, If        I    care, I’m the jerk, life’s not fair
F       G          Asus2
Fighting all the time, this is out of line she loves me not, loves me not
F        G      Asus2     
Do you realise I won’t compromise, she loves me not,
      C G Asus2  C G Asus2
Life’s not fair,     I’m a jerk





Fill :  F G A
Rap

Line for line, rhyme for rhyme
F
Sometimes we’d be fightin all the goddam time
D   E 
It’s makin me sick relationship is getting ill, piss drunk stupid ,
A        F
Mad, on the real, could you feel what I feel
     D
what’s the deal girl, tearing up each others world
                      E    G
We should be in harmony, boy and girl, that is the promise we made
A            F  
Back in the day, we told each other things wouldn’t be this way
D        E    G
I think we should work this out, it’s all right baby we can scream and shout

A     F               D    E
I don’t know,      If        I care, I’m the jerk, life’s not fair
F       G          A
Fighting all the time, this is out of line she loves me not, loves me not
F        G      A     
Do you realise I won’t compromise, she loves me not, loves me not

F         G                     A  
  Life’s not fair,  Life’s not fair, Life’s not fair,  
          C G Asus2        C G Asus2
I’m a jerk,         Life’s not fair, 
F  G        A………………
she loves me not, loves me not

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free download Guitar Chords " Broken Home " by Papa Roach

Guitar Chords " Broken Home " by Papa Roach

Intro = Gb5 Ab5 A5 Ab5 (x2)

Gb5 Ab5 A5 Ab5
Broken home
Gb5 Ab5 A5 Ab5
All alone
Gb5 Ab5 A5 Ab5
Broken home
Gb5 Ab5 A5
All alone


Gb5 C5 A5 B5


Gb5     C5     A5     B5
I can't seem to fight these feelings
Gb5     C5     A5     B5
I'm caught in the middle of this
Gb5     C5     A5     B5
And my wounds are not healing
Gb5     C5     A5     B5
I'm stuck in between my parents
Gb5     C5     A5     B5
I wish I had someone to talk to
Gb5     C5     A5     B5
Someone I could confide in
Gb5     C5     A5     B5  
I just want to know the truth
Gb5     C5     A5     B5   Gb5  
I just want to know the truth
D5   C5   B5   A5   Gb5        (D5   C5   B5   A5) 
Want to know the truth


Gb5 Ab5 A5 Ab5
Broken home
Gb5 Ab5 A5 Ab5
All alone


Gb5     C5     A5     B5
I know my mother loves me
Gb5     C5     A5     B5
But does my father even care
Gb5     C5     A5     B5
If I'm sad or angry
Gb5     C5     A5     B5
You were never ever there
Gb5     C5     A5     B5
When I needed you
Gb5     C5     A5     B5
I hope you regret what you did
Gb5     C5     A5     B5
I think I know the truth
Gb5     C5     A5     B5    Gb5
Your father did the same to you
D5   C5   B5   A5   Gb5        (D5   C5   B5   A5)
Did the same to you


Gb5                  D5   C5   B5   A5
I'm crying day and night now
    Gb5
What is wrong with me
          D5   C5   B5   A5
I cannot fight now
      Gb5
I feel like a weak link
                 D5   C5   B5   A5
Crying day and night now
      Gb5
What is wrong with me
          D5   C5   B5   A5 
I cannot fight now
      Gb5
I feel like a weak link


Gb5  F5  Gb5
Push it back inside


Gb5 Ab5 A5 Ab5
Broken home
Gb5 Ab5 A5 Ab5
All alone


(Gb5 Ab5 A5 Ab5)x4 till end of verse

It feels bad to be alone
Crying by yourself living in a broken home
How could I tell it So all y'all could feel it
Depression strikes hard like my old earth
Would tell it
To her son she told me I'm the one
Pain bottled up about to blow like a gun
Stories that I tell are nonfiction
And you can take it back
Cause it's already done

(Gb5     C5     A5     B5)

Gb5     C5     A5     B5
Broken home
Gb5     C5     A5     B5
Broken home

Gb5     C5     A5     B5
Can't seem to fight these feelings
Gb5     C5     A5     B5
I'm caught in the middle of this
Gb5     C5     A5     B5
And my wounds are not healing
Gb5     C5     A5     B5
I'm stuck in between my parents

(Gb5     C5     A5     B5)

Gb5     C5     A5     B5
Broken home
Gb5     C5     A5     B5
Broken home


End= Gb5 x3

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Papa Roach Biography

Source: http://brokenh.com/bio.shtml
Papa Roach is...
Coby Dick - Vocals
Jerry - Guitar
Tobin - Bass
Dave - Drums

Bio #1

I'm super-flamboyant, super-happy, and super-pissed-off," understates Papa Roach frontman Coby Dick. "I'm off the hook at shows. I've done stupid things where our lawyer was going, 'You can't be doing that!' but I've also hugged a million kids. How Nirvana was when they came out - that new edge of giving kids a release of emotions - that's how I hope people connect with Papa Roach's music. I want to cause every emotion in people. I want them to fight, to fuck; I want to bring out their violence, their sadness, and their happiness." Singer-Songwriter Dick, Guitarist Jerry Horton, Bassist Tobin Esperance, and Drummer Dave Buckner acheive Dicks estimable goals with INFEST.

Produced by Jay Baumgardner (whose worked with Coal Chamber and System of a Down), Papa Roach's major label debut "is about dealing with everyday struggle,"according to Dick, whose lyrics for songs like "Broken Home," "Never Enough," "Binge," "Thrown Away," and "Last Resort," infest's first radio track are intensely personal and darkly seductive. Inspired from everything from Divorce ("Broken Home"), struggles with alcohol ("Binge"), Attention Deficit Disorder ("Thrown Away"), and suicide. ("Last Resort") Dick tends to write in the first person. "I deal a lot with the line between good and evil. And I tiptoe down that line myself," he confesses.

"I have a side that's responsible, a part that knows right from wrong, and I have my punk rock, 'fuck everything' side." Says Horton of the band's sound; "We lean more towards hip hop, punk and funk, and we also have a rock influence, but we're not really rap-core. The songs have a pop structure, and they're very melodic, with a lot of layers and orchestration." For his part, Dick listens to hardcore bands, digs underground hip hop, played clarinet in his High Schools prize-winning wind ensemble and names Faith No Mores Mike Patton as one of his biggest influences.

Press raves, too, bare out Papa Roach's diverse approach. Las Vegas City Life praised the quartet for it's "surprising moments of vulnerability and sensitivity in it's cathartic opera-core, [Dick] sounding almost pleading in the world weary voice of youth betrayed"; the publication also informed, "Papa Roach stakes out it's territory" (May 20, 1999). Sacramento's News & Review, meanwhile voted the band "most likely to show up Rage Against the Machine at their own gig" (June 3, 1999), and the San Jose Mercury News commended the foursome's "sheer urban grit" and Dick's "randy, alluring and apocalyptic" vocals (Aug. 5, 1999). Not bad for a kid who began "playing" music in his garage with "garbage cans and baseball bats" (and who later moved out while still in high school and began working at an airforce base hospital to support himself).

Growing up in the Northern California town of Vacaville - for the moment best known as the onion capital of the world. P-Roach, as their legion of fans call them, formed in high school (Horton did not attend school with the others; he met them via an ex-girlfriend who was a P-Roach fan.) At the teens' first gig, a 1993 school talent show, Dick's mom overheard a judge mutter, "I hope they don't quit their day jobs." The band improved by leaps and bounds, however, and was soon selling out 300-500 seat venues (some of which would have required fake IDs had the band members been patrons). Despite their youth, the members of Papa Roach brought a wealth of experience to their developing sound.

Buckner, a Los Angeles native whose first instrument was violin, was taking drum lessons from a 70-year-old female jazz drummer by the time he reached junior high. He quickly made first chair in concert band but shortly thereafter got his first drum kit (for Christmas) and proclaimed: "I'm sick of this school band crap - I wanna play rock 'n' roll!" His next move? "I sat down with [Led Zeppelin's] Physical Graffiti and a set of headphones and went to work." He says of his influences: "I remember being three years oldand listening to [Pink Floyd's] The Wall on car rides with my Mom. Later I would kick it at my aunt and uncle's with Suicidal Tendencies and Metallica on vinyl. My friends in grade school got me into Run-DMC and the Beastie Boys, and junior high was all about classic rock. In high school, I was into a whole range of stuff, from John Coltrane to Fugazi.

That's when I discovered all the great and beautiful music that isn't part of the mainstream. I've kept my mind open since then. Esperance - who joined P-Roach at 13 - grewup watching his Dad play bass. "He got me my first bass when I was 10, " he recalls. His fingers blistered from the heavy bottom end he provides P-Roach, Esperance continues: "I had friends who were into jazz and reggae, and I took those and lumped them together. My Mom and I would listen to the same jazz music, or the Doors, or Duke Ellington. Then I had my punk rock category. He confirms that Papa Roach's music takes a similarly melting-pot tack, commenting: "People put us in the rap-rock category. I don't care what they call us, but we definitely do it differently from anyone out their right now."

Though Infest is Papa Roach's major-leagues bow, the band has been spewing music to the masses via CD for several years. Their first recording adventure was 1995's Caca Bonita, whcihc was followed by Old Friends From Young Years. "That's what the future is, " Dick says of the title. "We wanna have longevity, and by putting that idea in the cosmos - it's sort of a self-fulfilling prophecy." Two more independent CD's also issued on the band's Onion Hardcore Recordings, built on the momentum: 1998's 5 Tracks Deep (which featured the song "Revenge" [formerly "Revenge In Japanese"], heard on an episode of MTV's "Road Rules") and 1999's "Let 'Em Know". Cranking these out at a steady pace did not keep P-Roach rom the stage, however.

On the contrary, the band gigged steadily all over California - sometimes mounting as many as 14 shows a month - with acts like Kid Rock, Static-X, Incubus, Bad Brains and other such compadres on The Warped Tour. One of the questions most frequently aimed at the band concerns their moniker. It seems Buckner had a CD by jazz musician Pancho Sanchez called Papa Gato. The title struck a chord with Dick, whose grandfather's last name was Roatch - he was "Papa Roatch" to his family.

Still, according to Dick: "For the longest time, it's had nothing to do with my grandpa. We drew up this cockroach logo because we wanted to avoid the weed thing. Weed's okay, but it's not what we're about; we're kinda like the cockroach that can survive anything - we're tough, warrior soldier band. We get out there and put the work in." The band also takes pride in their familial orientation. "We're a team," Dick insists. "Some bands are like, 'We just fired our guitar player.' We don't do that shit; we don't fire people. We're family - you get booted out!" Esperance concurs: "We get along better than most any other band in the world. If you were to hang out with us, you'd wonder what the hell was wrong with us. We're constantly laughing, then getting in arguments, telling each other to fuck off, then we're best friends again in the next minute. We can't really agree on a whole lot, except the music and the band. We're real different people, but P- Roach is where we come together.

And come together they do, especially in a live setting. They're pretty goodat getting the audience to join together with the band: At any given show, the fans are onstage and airborne nearly as much as Papa Roach. The four piece has incited this mania over and over, headlining major clubs from San Francisco to Los Angeles, playing more than 400 shows since 1993. Despite such seasoning, Infest represents the beginning of this young band's journey. As the title track promises, these Roach's are "coming to infest." Those who prefer enlightenment to escapism will surely want to invest. "Pop music like Britney Spears is existence in the dark," Dick argues. "Its' candy. I don't want to escape reality - I want to go deeper into it."

Bio #2

In the small Northern California town of Vacaville, four high school friends, Jacoby Shaddix, Jerry Horton, Dave Buckner, and Will James, decided to start a band. In 1993, they became Papa Roach, a band whose influences included prominent Bay Area acts such as Faith No More and Primus. Papa Roach quickly rose to the top of the Vacaville music scene with their blending of hip-hop, groove-funk, and hardcore.
After a couple of years of playing coffeehouses, pizza joints, and keg-parties, they were headlining such places as the Cactus Club in San Jose, the Cattle Club in Sacramento, and the Berkeley Square in Berkeley.

Due to the antics of unpredictable Shaddix, and the raw power supplied by the band in live performances, Papa Roach captured the attention of younger audiences. In turn, kids showed their appreciation for the band by faithfully attending all the band's shows. In these early years, Papa Roach was able to support the Deftones on two shows, and have bands such as Incubus, Snot, Far, Human Waste Project, Downset and Fu Manchu open for them.

In the summer of 1996, while realizing athat they had something special, Papa Roach decided to make changes necessary to reach the next level. First, the band replaced bass player Will James because his commitment to church summer camp that would have prevented the band from practicing and playing any shows over the summer. Papa Roach did not have to go far to find their new bass player. Tobin Esperance, who was only 16 years old and who had been a roadie for Papa Roach since age 13, readily became the new bass player. Second, the band hired a manager, Bret Bair, to help them with bookings, promotions, and merchandising. With a new bass player and management in place, Papa Roach decided to enter the studio to record a full-length CD.

"Old Friends From Young Years" was recorded for $700 at E.S.P. Studios in Pittsburg, California, and was subsequently released in February of 1997. The CD contains 13 tracks, including the songs "Orange Drive Palms", and "Liquid Diet". Without any push from the band or management, many smaller independent and college radio stations in Chico, Davis, San Jose, Sacramento, and the Bay Area added Papa Roach to their playlists. To the bands' surprise, Papa Roach charted number one as Cal-State Sacramento's most requested band for five consecutive weeks. Papa Roach celebrated the release of their first album with several CD release shows. The Vacaville CD release show was attended by 700 kids, while CD release shows in Berkeley and Sacramento were attended by 400 and 300 kids, respectively.

Papa Roach's emerging popularity did not escape the eyes and ears of promoters, who started booking the band as a support act on many larger national shows. In March of 1997, Papa Roach played main support to Suicidal Tendencies in front of 1,000 people in Sacramento. They also either headlined or supported many of today's up and coming acts in the aggressive rock genre, including Incubus, Snot, Far, Human Waste Project, (hed) p.e., Sevendust, WIll Haven and Powerman 5000. Papa Roach has also played Southern California on a frequent basis, and is now becoming a regular at such reknowned clubs as the Troubador in Hollywood, and Soma in San Diego.

In April 1998, Papa Roach released "5 Tracks Deep", and E.P. containing five songs which sold 1,000 copies within the first month after its release. This CD exemplifies the natural growth in musicianship and song-writing ability within band since "Old Friends From Young Years" was recorded 18 months earlier. The songs "Revenge in Japanese" is a perfect example of the Papa Roach trademark sound where hip-hop verses lead to a catchy radio-friendly chorus. This results in a song with both energy and emotion that will attract diverse crowds of people.

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FREE DOWNLOAD Guitar Chords " Forget My Name " by New Found Glory

Guitar Chords " Forget My Name " by New Found Glory

Chorus/Intro:

B     F#    G#          E
tell all my friends I'm dead
B           F#   G#         E
I'm leaving you, this time its for good
B    F#     G#           E   
tell all my friends that I'm dead
B           F#          G#            B B B B B   <--Distortion Goes there
it won't be long before you forget my name


Verse:

B
can you tell
Eii
that I'm losing myself
G#             F#
I think I'm trying too hard to
B
let it show
Eii
to let you know
G#             F#
to trace your footsteps back to me


Bridge:

C#                          Eii
cause I've been gone for a long time
              G#
waiting on the sidelines
          F#
hoping for a chance to play
C#                      Eii                     G#
well I thought I would never leave anything behind
      F#
I also never thought I'd say

*Chorus*

*Verse*
can you tell
that I don't know myself
I need someone to remind me
to let it go
please let me know
to trace your footsteps back to me

*Bridge*

*Chorus*

*Bridge
and if I had the chance
to do it all again          
I wouldn't expect anything less
and if I had the chance
to do it all again
I wouldn't expect
I wouldn't expect anything less

*Chorus
tell all my friends I'm dead
I'm leaving you, this time its for good
tell all my friends that I'm dead
it won't be long before you forget my name


Heres that lil lick on the way out:

A|--6-7-4-6-4-2
Repeat as necessary end on 2 or E chord
The rhythm guitar part is just the same progression as the chorus


forget my name

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FREE DOWNLOAD Guitar Chords " All Downhill From Here " by New Found Glory

Guitar Chords " All Downhill From Here " by New Found Glory

CHORDS
   A  D  B  E  F#
e|-----------------|
B|-----------------|
G|-----7-----9-----|
D|--7--7--9--9--4--|
A|--7--5--9--7--4--|
E|--5-----7-----2--|

INTRO
e|----------------------|
B|----------------------|
G|----6/7-2-22-6/4-4/6--|
D|--4-x-x-2-22-x-x-x-x--| (4x)
A|--4-4/5-0-00-4/2-2/4--|
E|--2-------------------|

VERSE 1
e|-----------------------|
B|-----------------------|
G|-----------------------| (palm mute)
D|-----------------------| (4x)
A|-------5555-0000-2222--|
E|--2222-----------------|
you're hiding something cuz it's burning through your eyes
i try to get it out but all i hear from you are lies
F#        D           A                 B
and i can tell you're going through the motions
F#      D        A       B        F#
figured you were writing out your part
    D           A            B
once again we're playing off emotion
F#           D       B              A
which one of us will burn until the end

CHORUS
A   D          F#              E
catalyst you insist to pull me down
   A              D             F#             E
you contradict the fact that you still want me around
(guitar 2)
e|--------------------------------------------------------|
B|-6---6-7-6-9---6---6-7-6-----6---6-7-6-9-------6-7-6----|
G|---7-------------7-------7-----7-----------7-9-------7--|
D|--------------------------------------------------------|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
       A       D         F#       E
and its all downhill from here
       A       D         F#       E
and its all downhill from here

(INTRO RIFF 2x)

VERSE 2
your good intentions slowly turn to bitterness
reoccurring episodes with each and every kiss
and i can tell you're going through the motions
figured you were writing out your part
once again we're playing off emotions
which one of us will burn until the end

CHORUS
catalyst you insist to pull me down
you contradict the fact that you still want me around
and its all downhill from here
and its all downhill from here

BRIDGE
(INTRO RIFF 6x)
and i can’t believe you pulled it off again
i’m running till it all sets in
you’ll deny it till you’re at your bitter end
F#        D           A                 B
and i can tell you're going through the motions
F#      D        A       B        F#
figured you were writing out your part
    D           A            B
once again we're playing off emotion
F#           D       B              A
which one of us will burn until the end

CHORUS (no distortion)
catalyst you insist to pull me down
you contradict the fact that you still want me around
and its all downhill from here
and its all downhill from here

(AND YOU KEEP PULLING ME)

CHORUS (heavy distortion)
down
pulling me down pulling me down
you contradict the fact that you still want me around,
and its all downhill from here
and its all downhill from here

(INTRO RIFF 2x)

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free chord download "My Friends Over You" by New Found Glory

"My Friends Over You"
 New Found Glory


          D5              G5
e||-----------------------------------|
b||---------7---------------7---------|
G||*--9-7-9---9-7-7-9-7-7-9---9-7-7-7-|
D||*----------------------------------|
A||-----------------------------------|
E||-----------------------------------|


    D5
I’m drunk off your kiss
    G5
For another night in a row
                     D5
This is becoming too routine for me
E5                    G5
But I did not mean to lead you on
    D5
And it’s all right to pretend
    G5
That we still talk
     D5
It’s just for show, isn’t it
E5                    G5
It’s my fault that it fell apart

        E5         G5
  Just maybe, you need this
        E5       G5
  And I didn’t  mean to
        A5
  Lead you on

         D5                     G5
         You were everything I wanted
             D5             G5
         But I just can't finish what I've started
                 B5                       G5
         There’s no room left here on my back
                             B5
         It was damaged long ago
                                        G5
         Though you swear that you are true
         [G5  -  F#5  -  E5  -  D5  -  A5]
         I still pick my friends over you
         ( D5   G5 ) x 2
         My friends over you

               D5
Please tell me everything,
         G5
That you think that I should know
               D5
About all the plans we made
E5              G5
When I was never to be found
    D5
And it’s all right to forget
    G5
That we still talk
    D5
Its just for fun, isn’t it
E5                    G5
It’s my fault that it fell apart

       E5         G5
  Cuz maybe, you need this
        E5       G5
  And I didn’t  mean to
        A5
  Lead you on


         You were everything ...


[ D5 F#5 G5 D5 F#5 G5 - B5 F#5 G5 B5 A5 G5 ] x 4


        E5         G5
  Just maybe, you need this
        E5        G5
  ...  ....  You need this
        E5       G5
  And I didn’t  mean to
        A5
  Lead you on


         You were everything ... X 2

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free download Belated chord by New Found Glory

New Found Glory 
"Belated" 

(Intro) E, Gb, Ab, Gb (Pick E, Ab on the D and G strings)

E Gb      Ab
I never felt so bad
 Gb    E
In my entire life
    Gb         Ab         Gb 
But this time I did it to myself
E       Gb        Ab
What do you expect from me?
  Gb
I did it
    E         Gb         Ab  Gb
So what do you expect from me

E   A  Gb     A
Let go of my hand
E  A   Gb     A
Is it time to go?
    E       A    Gb      A
I'm not ready to turn my back on you yet
    E            A        Gb
I'm not going to let you down
A
Let you down

E    Gb        Ab
September came so quickly
  Gb        E
I want to prepare
  Gb             Ab         Gb
I didn't mean to miss your birthday
E       Gb        Ab
What do you expect from me?
  Gb
I did it
   E          Gb        Ab     
So what do you expect from me
    Gb
Why don't you

E   A  Gb     A
Let go of my hand
E  A   Gb     A
Is it time to go?
    E       A    Gb      A
I'm not ready to turn my back on you yet
    E            A        Gb
I'm not going to let you down
A
Let you down

Gb        A
Bridges will fall from under us
      
But we all strong
E       B
We'll (we'll) get through this
    Gb    
The end will open up (end will open up)
    A
And try to pull up us in
      E   B
But we'll (we'll) get through this
  
Get through this

E, Gb, Ab, Gb(2x)

 Gb
So why don't you

E   A  Gb     A
Let go of my hand
E  A   Gb     A
Is it time to go?
    E       A    Gb      A
I'm not ready to turn my back on you yet
    E            A        Gb
I'm not going to let you down
A
Let you down


A         E
Let you down
A, E

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A New Found Glory Biography

Source: http://www.newfoundglory.com
The lives of New Found Glory run parallel to the lives of most of their fans over the past few years -- they've experienced heartbreak, left school for the real world, finally moved out of their homes and found careers. And though the group has spawned outstanding international notoriety over the past couple years, New Found Glory are just as easy to connect with as a best friend, with hardly any fan/band separation to be found.

And even for those who haven't lived along the same lines, relating to New Found Glory's music and message is a cakewalk. Heartache? Loss of a loved one? Enjoying your life? Mixed emotions? Just a few of the topics New Found Glory have touched upon, if not delved into, during their illustrious career.

Launching in 1997 as a conglomerate of various acts in the Florida region (including Shai Hulud, a rather accomplished hardcore group), New Found Glory's winning mix drew from several hats -- straightforward rock hits, pop-punk energy and hardcore song structure -- to create a unique melding of musical ideas.

After releasing an EP on a local Florida label, Drive-Thru Records caught wind of the group, releasing a full-length (Nothing Gold Can Stay) in 1998 and an EP (From The Screen To Your Stereo). In 2000, MCA and Drive-Thru teamed up to release the band's highly successful self-titled album that spawned such hits as "Hit Or Miss," which flew straight into heavy rotation charts of the nation's largest rock radio stations and resulted in nearly-gold sales.

With all the aforementioned points, would one really expect another record that mimics their self-titled full-length, boasting much of the same content? It's not likely.

Enter Sticks And Stones, to be released June 11 on MCA/Drive-Thru. The only resemblance Sticks And Stones bears to the self-titled album are the skillful, melodic songwriting, trademark hook-laden melodies and choruses, all released on the same label, created by the same musicians and coordinated by the same producer, Neal Avron (Everclear and the Wallflowers).

So, what's changed? The lyrical content, for one, has matured.

"On the last record, all the songs were about girls. That's what I think we write the best," says Steve Klein, guitarist. "On this record, we try to kind of steer away from that a little bit, [yet] still keep the same feeling and melodic lyrical content. We actually have a song about Jordan's grandfather that passed away, and there are songs about leaving your hometown, moving to a new state and growing up."

Still Sticks And Stones has plenty of heartbreak material to whet many a fan's appetite. In fact, the album's first single, "My Friends Over You," is a straight-up relationship track.

Steve explains, "is about experiencing a bad and hurtful relationship in the past and not being able to get over it. Though you meet a really nice person and things are great, you can't take it to the next level, since you keep remembering how much your last relationship took out of you. It's about taking the easy way out and choosing your friends, since that's a sure bet you won't get hurt.”

Sticks And Stones is also a more diverse record sonically. Though the signature pop-punk stylings of their self-titled record are fully in tow, the band has reached out even further, generating fresh ideas and expanding their musical bandwidth outwards. There are more hardcore-inspired breakdowns (the NFG boys even called in their hardcore friends Bane and H2O for a little added assistance on Sticks And Stones), creating more built-in crowd interaction parts. "It's awesome how kids sing along and go crazy -- and I think we put a lot of shout crowd interaction parts on the CD," vocalist Jordan adds. Chalk it up to simple progress.

"I think that [Sticks And Stones] is more aggressive and punchy, and the melodies and lyrics are in a similar vein, but they're more mature," says guitarist Chad. "All the things on this record are a natural maturity - and I think that's what people will notice. It still sounds like New Found Glory, but it just sounds like we can play our instruments better and write more diverse songs now."

But don't let that sway you into thinking that New Found Glory have veered off course in their musical adventure - they've firmly planted their roots, proven the success of their previous releases and are ready for whatever life throws their way. And what’s coming their way soon is a huge summer tour.

After seeing NFG consistently sell out venues last year that veteran, platinum acts were only half filling, the organizers of Warped Tour have secured the band for a headlining slot. So, whether you are cranking the CD in your car or checking out the band live…

Give Sticks And Stones a fair shake and climb on board the ride through life.

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free download Guitar Chords " Forgive Me " by Evanescence

Guitar Chords " Forgive Me " by Evanescence

Bb                    Gm
Can you forgive me again?
                  Dm (D2-Dm)
I don't know what I said
        D#             D#m
But I didn't mean to hurt you

Bb                   Gm
I heard the words come out
                    F
I felt like I would die
                        Bb
It hurt so much to hurt you

        Bb            Gm
But then you look at me
           Dm          
You're not shouting anymore
      D#    D#m
You're silently broken

Bb                 Gm
I'd give anything now
                        F
to kill those words for you

      D#                           Dm                           
Each time I say something I regret I cry I don't want to lose you.
        D#                              F
But somehow I know that you will never leave me, yeah.

  Bb                   Gm
'Cause you were made for me
                      Dm
Somehow I'll make you see
    D#         D#m
How happy you make me

Bb                 Gm
I can't live this life
                   Dm
Without you by my side
   D#            D#m
I need you to survive

Bb            Gm
So stay with me
       F                     D#         D#m    
You look in my eyes and I'm screaming inside that
     Bb   Gm   Dm   D#   D#m   Bb   Gm   F   D#  D#m
I'm sorry.

    Bb
And you forgive me again
You're my one true friend
And I never meant to hurt you

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free download Fields of Innocence chords by Evanescence

Fields of Innocence chord by 
Evanescence


Intro: Am------

Am              C             G         Am               
I still remember the world from the eyes of a child,
Am                    C          G     Am  E
Slowly those feelings were clouded by what I know now,
           F
Where has my heart gone?
   Dm                       G
I'm not even trained for the real world,
  E            F       E
Oh I, I want to go back to,
Dm                     E                      Am
Believing in everything and knowing nothing at all.
Am              C          G      Am               
I still remember the sun always warm on my back
F           G            Am   E  
Somehow it seems colder now
            F
Where has my heart gone?
Dm                    G
Trapped in the eyes of a stranger
  E            F        E
Oh I, I want to go back to,
Dm               E
Believing in everything.

Am-- F  Am  E
            F
Where has my heart gone?
  Dm                        G
I'm not even trained for the real world,
  E           F       E
Oh I,I want to go back to,
F                E
Believing in everything,
E
Oh where?
             F
Where has my heart gone?
Dm                        G
Trapped in the eyes of a stranger,
 E             F       E
Oh I, I want to go back to
Dm                 E       Am------
Believing in everything.

I still remember...

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free download Guitar Chords " Everybodys Fool " by Evanescence

 " Everybodys Fool " by Evanescence 

Intro = (D5 B#5)x2

D5      B#5   D5   B#5   
Perfect by nature
D5   B#5     Bb5 G5 B#5
icons of self-indulgence
D5     B#5    D5     B#5
Just what we all need
D5   B#5     Bb5 G5 B#5     D5    
More lies about a world that

D5       B#5  
Never was and never will be
D5       B#5
Have you no shame, don't you see me?
Bb5               G5      B#5     D5
You know you've got everybody fooled.

D5     B#5    D5    B#5  
Look here she comes now -
D5     B#5      Bb5 G5 B#5
Bow down and stare in wonder.
D5     B#5    D5    B#5
Oh, how we love you
D5     B#5      Bb5 G5 B#5   D5
Too bad we didn't know she -

D5       B#5 
Never was and never will be
D5       B#5 
You don't know how you betrayed me
Bb5                G5        B#5     D5
And somehow you've got everybody fooled.

No Chords =

Without the mask
Where will you hide?
Can't find yourself,
Lost in your lies

D5            B#5
I know the truth now
D5       G5
I know who you are
Bb5          G5         B#5     D5
And I don't love you anymore

D5       B#5 
Never was and never will be
D5       B#5 
You don't know how you betrayed me
Bb5                G5        B#5     D5
And somehow you've got everybody fooled.

D5       B#5 
Never was and never will be
D5       B#5 
Not for real that you can save me
Bb5                G5        B#5     D5
And somehow you've got everybody fooled.

End = (D5 B#5)x2  Bb5  G5 B#5  D5

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free download Guitar Chords " Anywhere " by Evanescence

Guitar Chords " Anywhere " by Evanescence 

fa#-                        la               mi
Dear my love, haven't you wanted to be with me
And dear my love, haven't you longed to be free
I can't keep pretending that I don't even know you
And at sweet night, you are my own
fa#-        mi
Take my hand

[CHORUS:]
la       mi          fa#-
We're leaving here tonight
         re
There's no need to tell anyone
       si-          mi
They'd only hold us down
    la    mi       fa#-
So by the morning light 
      re
We'll be half way to anywhere 
     si-                mi        la
Where love is more than just your name

I have dreamt of a place for you and I
No one knows who we are there
All I want is to give my life only to you
I've dreamt so long I cannot dream anymore
Let's run away, I'll take you there

[Chorus]

si-         do#-
Forget this life
      re
Come with me
              mi
Don't look back you're safe now
si-          do#-
Unlock your heart
        re
Drop your guard
                mi
No one's left to stop you

Forget this life
Come with me
Don't look back you're safe now
Unlock your heart
Drop your guard
No one's left to stop you now

[Chorus]

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FREE DOWNLOAD bRING ME TO LIFE Chord by Evanescence

bRING ME TO LIFE  Chord by Evanescence 

     F
E   ----------------0-------|---------------0-----------
Bb  -----0------0---5----0--|------0-----0--5---0-0-----
G   -----5----5-6-5-5--5-3--|------5---5-6--5---5-3-----
D   --3--3--3----------3-3--|---3--3-3-3-3--3-3-3-3-----
A   ------------------------|---------------3-----------
D   ------------------------|---------------------------


F
How can you see into my eyes like open doors?

F
Leading you down into core, where I become so numb

-------------------------------------

Pre-chorus

(Played on single electric with fine-cut distortion, sounds layered)

( ) -- The notes inside the brackets fade in, then build up before the pre-chorus


            F5
E    -----|-------------------------------
Bb   -----|-------------------------------
G    -----|-------------------------------
D    -(3)-|-------------------------------
A    -(3)-|---33-33-33-33-333-------------
D    -----|---33-33-33-33-333-------------


F5
You fill my soul

F5
My spirits sleeping somewhere cold

F5
Until you find it there in me

F5
It's black hole

---------------------------------------

Chorus
(Played on two electric guitars, layered on top of eachother)


    F                    Ab               Eb                 F
E   -------------------|----------------|------------------|--------------------
Bb  -------------------|----------------|------------------|--------------------
G   -------------------|----------------|--33---3--33--3---|-------------------
D   -------5-------5---|-------8-----8--|--11-1-1--11-11---|--3-35---3-35----------
A   --33-3-3--33x3-3---|--66-6-6--66-6--|--11x1-1--11x11---|--3-33---3-33----------
D   --33x3-3--33x3-3---|--66x6-6--66x6--|------------------|--3--3---3--3---
                       

F
Wake me up (wake me up inside)

Ab
I can't wake up (wake me up inside)

Eb
Save me

                 F
Call my name, and save me from the dark


F
Wake me up (leave my blood to run)

Ab
I can't wake up (before i come undone)

Eb               F                Riff 1
Save me from the nothing i've become

------

Riff 1 (leads into 2nd verse)


P - Palm-muted
^ - bend string up
= - pause

    F
E   ------------------------------
Bb  ------------------------------
G   --------------------5^--------
D   --------------=---------------
A   --33-33-33-33-----------------
D   --33-33-33-33----33-----------
     PP PP PP PP

---------------------------------------------

Verse 2

P - Palm-muted
^ - bend up
= - pause

   F5                         F/C#5
E -----------------------------------------------------------
Bb ----------------------------------------------------------
G ------------------------------------------------5^---------
D -----------------------------------------------------------
A ---33-33-33-33-=-33/4--------44-44-44-44-=-44--------------
D ---33-33-33-33---33/3--------33-33-33-33---33--------------


 F5
breathe into me
       F/C#5
make me real





-----------------------------------

Post-Chorus


P - Palm-muted
^ - bend up
x - rake
p - pull-off
: - repeat


      C#               D#                 F
E   ------------------|------------------|----------------------------------|----------------
Bb  ------------------|------------------|----------------------------------|----------------
G   .-----6--666------|------8--888------|---------------------------------.|----------------
D   .-666-6x-666-x66--|--888-8x-888-x66--|------3-------------------3------.|----------------
A   --444-4x-444-x44--|--666-6x-666-x44--|--333-3x-333-x33------333-3x-333--|------------3~--
D   ------------------|------------------|--333-3x-333-x33------333-3x-333--|-3~--5~--6~-----



C#            D#       F
     Bring   Me   To  Life ...



-----------------------------------


Bridge Part 1 (soft/slow)


   C/C#5            C5               G             F (g,g#,c)  
E  ---------------|-----------------|-------------|---------------------
Bb ---------------|-----------------|-------------|---------------------
G  --------6------|--------5--------|-------------|---------------------
D  ----5---6-5----|----5---5-5---5--|---6---------|---------------------
A  --4---4-----4--|--3---3-----3----|-5-5-5---5---|--3---------3~-------
D  ---------------|-----------------|-5-----5-5-5-|--3--5~--6~----------


C/C#5        C5                   G                   F    (g,g#,c)
     Frozen inside, without your touch, without your love darling

C/C#5       C5                G              C5
     Only you, 




-----------------------------------------

Bridge Part 2


    F5                       F/C#5
E -----------------------------------------------------------
Bb ----------------------------------------------------------
G ------------------------------------------------5^---------
D -----------------------------------------------------------
A ---33-33-33-33-=-33/4--------44-44-44-44-=-44--------------
D ---33-33-33-33---33/3--------33-33-33-33---33--------------



F5
All this time, I cant believe I couldnt see

F/C#5
left In the dark, but there you were in front of me

F5
I've been sleeping a thousand years it seems

F/C#5
I've got to open my eyes to everything

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Free Guitar Chords " Even In Death " by Evanescence

Guitar Chords " Even In Death " by Evanescence 

E          Bm              E              Bm

Give me a reason to believe that you're gone
E             Bm          E              Bm
I see your shadow so I know they're all wrong
E                 Bm   
Moonlight on the soft brown earth
    E                   Bm
It leads me to where you lay
Am             G               Am              Bm
They took you away from me but now I'm taking you home

E               Gm             D   E
I will stay forever here with you, my love
    E            Gm      
The softly spoken words you gave me
D        C
Even in death our love goes on

E             Bm           E           Bm
Some say I'm crazy for my love, oh my love
    E            Bm              E            Bm
But no bonds can hold me from your side, oh my love
Am              Gm
They don't know you can't leave me
Am                  Bm
They don't hear you singing to me

E            Gm               D     E
I will stay forever here with you, my love
   E             Gm                
The softly spoken words you gave me
D        C                    
Even in death our love goes on
E            Gm           D          C
And I can't love you, anymore than I do

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Evanescence Biography

Source: sing365.com
Evanescence is:
Amy Lee
John Lecompt
Rocky Gray
Terry Balsamo

(and formerly)
Ben Moody, William Boyd and David Hodges.

Folks new to Evanescence fandom may be surprised to learn that Ben Moody and Amy Lee, the founding members of Evanescence, met at church camp. I interviewed Ben in 1998 and here's how he characterized the meeting:

Several years ago Amy and myself were attending a youth camp. I was playing with the praise and worship group and Amy was a camper. During some kind of break/recreation time I was sitting in the gym watching a basketball game. On the other side of the court was a stage for plays and a piano. I was just sitting there bored to tears when all of the sudden I was given a quick jolt as my ears were filled with the sound of the piano intro to Meatloaf's "I Would Do Anything For Love."

I looked over at the piano and there was this girl effortlessly displaying emmence amounts of talent. After my initial envious rage subsided I hopped to my feet and ran right through the basketball game straight to the piano and introduced myself.

She then impressed me further with songs that she had written. I thought I was in heaven. But then she sang. I nearly died. coming from this tiny little youth camp reject was one of the most powerful, beautiful voicies I'd ever heard. So I somehow convinced her to never play with anyone else again and she's been mine ever since.

Ben and Amy soon began recording songs like "Give Unto Me" and "Understanding" under the name Evanescence. With such influences as Type O Negative, Living Sacrifice (who, rumor has it, once asked Ben to join as guitarist, but he turned them down to continue focusing on Evanescence), Portishead and Sarah McLachlan they began to craft a unique sound that took in elements of metal, electronic music and (probably without intending it) goth rock.

Brad Caviness started to play "Understanding" and "Give Unto Me" on the radio show he co-hosted on KABF in Little Rock, giving Evanescence their first exposure to the world at large.

Their debut EP was released in December of 1998 at their first show (to my knowledge) at Vino's in Little Rock. The run of 100 CDRs sold out quickly that night.

At some point David Hodges joined the band on keys , but I can't give you any details on that because I don't know how that transpired. I can say that those close to the band were in shock, as Ben Moody is a notorious perfectionist who has a hard time finding anyone who he feels comfortable playing music with.

The Whisper EP was released around this time by the band with help from BigWig Enterprises on CDR (limited to 50 copies).

In time the Evanescence live show was rounded out with such members as Will Boyd (the Visitors) John Lecompt (formerly of Mindrage, currently of Kill System) and Rocky Gray (of Soul Embraced, Kill System and Living Sacrifice).

Recently David Hodges has parted ways with the band, hoping to return to his musical roots and start a new band in the Christian market. Rumor has it he and Matt Outlaw are currently writing songs for this project. John Lecompt and Rocky Gray are now considered full-fledged members of the band.

This band, once only know to us lucky few, has taken the world by storm. Their major-label debut Fallen on Wind-Up Records, home to bands such as 12 Stones and Drowning Pool has gone 5x Platinum in the US alone. The overpowering sounds of Evanescence have definently set them apart from any other band in 2003, and have won them many awards to include two grammys! However with all their success, also came lots of disappointments. With the loss of Ben Moody the question on everyone's mind is with 2/3'rds of the original band now gone will Evanescence be able to pump out an even better sophmore album? I guess only time will tell!

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free download I Am The Highway chords by Audioslave

I Am The Highway chords by Audioslave

Chords   Am, F, C, G, Dm ,E



F,        C,        G,      Am,     
Pearls And swine bereft of me
F,        C,        G,      Am,
long and weary my road has been
     F,           C Am
i was lost in the cities
  G,        C Am, 
alone in the hills
   F,        C,        G,      C Am, 
no sorrow or pity for leaving i feel
 C         G,              Dm, 
   i am not your rolling wheels
          Am,
i am the highway
C,         G,              Dm,
   i am not your carpet ride
        E slide to  007500  
i am the sky........ E---------
                    B---------
                    G--5------
                    D--7------
                    A---------
                    E---------


                  Before second verse 4X ------->   E---------
                                                    B---------
                                                    G--5------
                                                    D--7------
                                                    A---------
                                                    E---------

F,           C,    
friends and liars
      G,      Am,
don't wait for me
    F,        C,  
cause i'll get on
   G,     Am,  
all by myself
     F,          C Am,                  
I put millions of miles
   G,   Am C, 
under my heels
   F,         C Am,      G,  Am C,
and still too close to you i feel

C,         G,              Dm, 
   i am not your rolling wheels
          Am,
i am the highway
C,         G,              Dm,
   i am not your carpet ride
        Am,
i am the sky
C,         G,               Dm 
   i am not your blowing wind
         Am
i am the lightining
C,         G,             Dm
   i am not your autumn moon
       

     007500 Slide to E 2X
i am the ni.............ght

    E,           007500
the ni.............ght

Didn't get the solo

C,         G,              Dm, 
   i am not your rolling wheels
          Am,
i am the highway
C,         G,              Dm,
   i am not your carpet ride
        Am,
i am the sky
C,         G,               Dm 
   i am not your blowing wind
          Am
i am the lightining
C,         G,             Dm
   i am not your autumn moon
       

E                       007500(If thats a chord)
i am the ni.............ght

   E,           007500
the ni.............ght

yeah...yeah 4X
        E---------      
        B---------
        G--5------
        D--7------
        A---------
        E---------

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free download Like A Stone chords by audioslave

Like A Stone chords by audioslave

standard tuning

Am- (x02230)
G-  (320003)
E-  (023100)
F-  (033210)
Fm- (133111)
C-  (x32010)
Dm7-(xx0312)



Am          G
On a cobweb afternoon
E                 F
In a room full of emptiness
Am           G
By a freeway I confess
E                 F
I was lost in the pages
Am        G       
Of a book full of death
E                 F
Reading how we'll die alone
Am                G 
And if we're good we'll lay to rest
E           F   
Anywhere we want to go

(chorus)
Am      C     G         Am
In your house I long to be
Am      C    G      Am
Room by room patiently
Am   F            Am
I'll wait for you there
G      Am         F            Am     
Like a stone I'll wait for you there
E
Alone

Am
On my deathbed
G
I will pray
      E            F
To the gods and the angels
Am              G
Like a pagan to anyone
E                   F
Who will take me to heaven
Am           G
To a place I recall
E              F
I was there so long ago
Am          
The sky was bruised
G
The wine was bled
E                    F
And there you led me on


(chorus)
Am      C     G         Am
In your house I long to be
Am      C    G      Am
Room by room patiently
Am   F            Am
I'll wait for you there
G      Am         F            Am     
Like a stone I'll wait for you there
E     E 
Alone,Alone.......

F        C
And on I read
E                 F
Until the day was done
     Fm     Dm7     
And I sat in regret
  E                   Am
Of all the things I've done
F                 C
For all that I've blessed
   E             F
And all that I've wronged
  Fm              Dm7
In dreams until my death
      E
I will wander on

Repeat chorus

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free be your self chord by audioslave

Be your self chord by audioslave

intro : Bm G 2x

Bm D G Em 2x
verse :
Bm   D
Someone falls to pieces
  G       
sleepin all alone
Em                  Bm
someone kills the pain
                     D                
spinning in the silence
   G             Em
to finally drift away
Bm                  D
someone gets excited
      G
in a chapel yard
Em              Bm
catches a bouquet
               D 
another lays a dozen
G   Em
white roses on a grave

Chorus :
Bm                   D               G         Em       
to be yourself is all that you can do
Bm                    D               G         Em 
to be yourself is all that you can do

Bm D G Em

verse;
Bm              D      G
someone finds salvation in everyone
   Em               Bm
and another only pain
               D 
someone tries to hide himself
    G                     Em   
down inside himself he prays
Bm            D               
someone swears his true love
G                    
until the end of time
Em                Bm
another runs away
                 D           
Separate or united?
G                 Em       
Healthy or insane?

Chourus
Bm                   D               G         Em
to be yourself is all that you can do
Bm                   D               G         Em
to be yourself is all that you can do
Bm                   D               G         Em
to be yourself is all that you can do
Bm                   D               G         Em
to be yourself is all that you can do

Solo

refrain:

G                    A        
And even when you’ve paid enough
Bm                   D
Been pulled apart or been held up
G                    A
with every single memory of
Bm               D
the good or bad faces of luck
G                A
don’t lose any sleep tonight
Bm                   D
i'm sure everything will end up alright
G                A
you may win or lose
Bm                       D               G         Em
but to be yourself is all that you can do
Bm                   D               G         Em
to be yourself is all that you can do

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Audioslave Biography

Source: www.audioslave.com
In an age when the Internet search engine wields great power, choosing a title like Revelations is no small risk for Audioslave. A Google search for “Revelations” initially brings up references to “The Book of Revelation,” the chapter of the Bible that describes the end of the world. You won’t find scriptural verse in Audioslave’s Revelations, but you will find a soaring testament to the redemptive power of rock and soul. Audioslave most likely intends the title to refer to the definition that means “newly revealed information,” and on that front Revelations stands as a flaming bush atop the mount.

If Audioslave initially was stitched together as something of an alternative rock Frankenstein—a renown singer joins a renown singerless-band—this monster now has a life of its own and Revelations puts that history into back-story. This album is full of experimentation and fresh direction, while at the same time it exudes the kind of poise that could only come from pedigreed-veterans of stadium tours. Not all of Revelations easily fits into the alternative rock pigeonhole, as several songs experiment with rhythmic change-ups. Some of the singing is soulful, there are songs that are funky, and others that are anthematic, though it all adds up to a powerhouse rock record.

Though Audioslave have only been a unit for five years, and Revelations is just their third album, this is the work of a band more mature than that short span might indicate. The full Audioslave history, of course, goes back two decades and embraces two family trees. One begins in the nascent days of the early Seattle music scene of the mid-eighties when singer Chris Cornell was a high school kid fronting a cutting-edge group called Soundgarden. Cornell played with Soundgarden for more than a dozen years, and they produced five studio albums and several EPs before they broke up in 1997. A 2003 MTV poll ranked Cornell as one of the greatest vocalists in music — just behind Michael Jackson and ahead of Eminem.

In 2001 producer Rick Rubin suggested that Cornell consider hooking up with Rage Against the Machine, who had lost their lead singer the previous year. Rage had their own storied past, and over the course of four albums they had proven that a popular rock band could operate with a powerful political message at its center. They are the only band to ever have shut down the New York Stock Exchange (they were filming a Michael Moore-directed video and the brokers feared there would be a riot). Their 1996 self-titled debut was a watershed album, and one that challenged the complacency of the music industry and of hard rock at the time. Over the course of four albums, Rage established a reputation as the thinking fan’s hard rock band.

The pairing of Cornell with Rage’s guitarist Tom Morello, bassist Tim Commerford, and drummer Brad Wilk, proved to be something just short of genius, and Audioslave was formed. When the foursome first went into the studio in May 2001, they wrote 21 songs in 19 days. Audioslave, their debut album released on November 19, 2002, went on to sell five million copies worldwide. The band’s first single, “Cochise,” was followed by “Like a Stone,” and “Show Me How to Live,” all featuring a sound that is at once huge, but also intimate. That seems be one of Audioslave’s gifts: Their songs are filled with enough huge hooks to rock a stadium, but there is also a subtle magic to their sound can’t easily be charted.

Some of that is the wizardry of guitarist Tom Morello, who may be the only Harvard-educated rocker to have ever stood naked on stage at Lollapalooza (in a 1993 protest against censorship). On Revelations he expands his always-innovative runs with a style that is both brainy and heartfelt. Morello is himself no stranger to best-of polls: Rolling Stone ranked him twenty-sixth in their list of the 100 greatest guitarists of all-time. That honor looks more impressive when one observes that he was ranked just behind Freddy King, and ahead of Buddy Guy, and that Morello was one of the youngest players honored.

Commerford and Wilk also spread out on Revelations, particularly on “Broken City” and “Original Fire,” heretofore unexplored uptempo avenues for Audioslave. As Morello recently told one interviewer, “Tim and Brad are just a ferociously funky rhythm section.” But make no mistake that Revelations is a unmistakably a rock album, with ferocity being the element that ties the twelve songs together. “If you want your ass kicked, you’ve come to the right place,” Morello warns.
Brendan O’Brien, whose history with Audioslave and its members stretches back years, produced Revelations. O’Brien mixed Audioslave’s last album, 2005’s Out of Exile, and mixed Soundgarden’s 1994 disc, Superunknown, plus he produced two of Rage Against the Machine’s albums, Evil Empire and The Battle of Los Angeles. Sessions for Revelations lasted just five weeks as most of the songs had been previously honed in live performance.

In 2005, Audioslave released their second album, Out of Exile which debuted at No. 1 on the charts, and went on to sell over two million copies worldwide. Out of Exile spawned several singles including the smash “Doesn’t Remind Me.”

Audioslave’s last official release was a DVD of their historic 2005 concert in Havana, the first time an American rock band had played a show in Cuba. For musicians who have always made social activism an important part of their life, on and offstage, Revelations also represents a more overtly politic Audioslave, particularly on the song “Wide Awake.” This scathing condemnation of the Bush administration’s failures may tie together the heart and soul of Revelations. Using the kind of dark imagery that truly suggests the end of days, Cornell rails against a leader who is “trading lives for oil as if the whole world was blind.” With the power of Morello’s guitar, and the driving beat set by Wilk and Commerford, Cornell roars, “I find you guilty of a crime of sleeping at a time when you should have been wide awake.” It is a chorus that could have come straight out of “The Book of Revelation,” and one that we can only hope is not an apocalyptic prophesy.

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FREE download mary jane chord by the click five

 mary jane chord by the click five
                        D           E
I didn't cry the day you moved away
                           F#m            C#m
I didn't think that I could feel this pain
D              E                   F#m    C#m     
Until I saw the stranger that was you
                        D          E
Whatever happened to our innocence
                          F#m                      C#m
And the somethin' that you said about being friends
         D  E
Tell me how
         D                 E
Help me say the words out loud

Chorus:
          A
Could it be
    E              F#m   
That nothings gonna change
     C#m             D             E  
Cause time has got a way of taking back
   D                     E
Everything you thought you had
        A 
Can you see
     E             F#m
The girl you used to be
   C#m              D           E
The one I lost when I let go of you
   D               E
Oh whatever happened to
        A
Mary Jane
E      D  A
Ooh ooh
E      D
Ooh ooh

Verse 2: same as verse 1

I need to wake up from this state of mind
The situation is the same kind
I gotta get your memory out of my head
Would you catch me if I had to fall
Would you even find the time for that at all
Tell me how
Help me say the words out loud

Chorus: Same as first chorus

Could it be
That nothings gonna change
Time has got a way of taking back
Everything you thought you had
Can you see
The girl you used to be
The one I lost when I let go of you
Oh whatever happened to
Mary Jane
Ooh ooh
Ooh ooh

Solo Part1
e|---------------------------------------------|
B|---------------------------------------------|
G|---------------------------------------------|
D|9-8-9-10-9-8---------9-8-9-10-9-8------------|
A|-------------9-8-9----------------9-8-9-8-9--|
E|---------------------------------------------|

Solo Part2
e|--------------------------------|
B|-------10-----------------------|
G|----10-----11-------------------|
D|--9-----------9--9-8--10s11s10--|
A|9-------------------------------|
E|--------------------------------|

Solo Part3
e|------------------------------------------------------|
B|------------------------------------------------------|
G|-------------------------11--12b-12b-12b-12b-12b-12b--|
D|9-8-9-10-9-8----------10------------------------------|
A|-------------9-8-9--9---------------------------------|
E|------------------------------------------------------|





     D              E
Cause time has taken back
     D              E
Everything I thought we had
D        E      D    E
Mary Jane..

Chorus:
Could it be
Nothings gonna change
Cause time has got a way of taking back
Everything you thought you had
Can you see
The girl you used to be
The one I lost when I let go of you
Oh whatever happened to
Mary Jane
Ooh ooh
  D                 E
Oh whatever happened to
Ooh ooh
       A
Mary Jane

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free download Jenny chord by the click five

Jenny chord by the click five



VERSE
C#
She calls me baby, then she won't call me.
Says she adores me and then ignores me. 
F#
Jenny, what's the problem?
C#
She keeps her distance and sits on fences. 
Puts up resistance and builds defenses.
F#
Jenny, what's the problem?

Refrain

Ebm                          Ab
You leave me hanging on the line.
Ebm                          B7
Every time you change your mind.

Chorus
                  Ab        Ab              Fm
First You say you won't, then you say you will.
   Gb                        Ab              Fm
You keep me hanging on, and we're not moving on.
     Bbm     Gb      Ab     Fm               Gb
I"m standing still, Jenny. You got me on my knees.
 Gb           Ab     Gb
Jenny, it's killing me.

Verse
C#
She needs her own space. She's playing mind games.
Ends up at my place saying that she's changed.
Jenny, what's the problem?

Refrain
 Ebm                           Ab
I'm trying to read between the lines
Ebm                         B7
you got me going out of my mind

Repeat Chorus

Ab
ohh ohh ooohhh
         Bbm
its killing me
(ohh ohh ooohhh)
  Ab
Jenny


(Repeat Chorus 2x)

Gb
Its killing me
  Db
Jenny

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The Click Five Biography

Source: http://www.starpulse.com/Music/Click_Five/Biography/
It's been said that you can tell a lot about people by looking at the company they keep. So what, then, could you say about a band that's collaborated with members of Kiss, Fountains of Wayne and The Cars, opened for Alanis Morissette and Ashlee Simpson and honed their craft at Berklee School of Music?

Well, you could say they're conversant in all 57 varieties of pop-rock. You could say they're as unlikely to be pigeonholed as any band around. Or you could simply say "yeah!" as you pop on Greetings From Imrie House, the Lava Records debut from The Click Five, the Boston-based quintet that's managed to grab all the brass rings mentioned above - all in less than two years together.

"We all love melodies," says bassist Ethan Mentzer. "If I can't sing it, I'm not crazy about it. I like songs that are so damn catchy that you wake up in the morning with them in your head. When I started playing the guitar at age 12, I wanted to listen to music where you could really hear the guitar - bands like Green Day and Weezer and Stone Temple Pilots became my favorites, so when the direction of this band started going towards rock, even though the songs were pop, it only felt natural."

Greetings From Imrie House collects 11 timeless power-pop confections, odes to both the good, clean and naughtily winking sorts of fun. They capture the former in the sunny tones of the artfully sleek first single "Just The Girl," and the shimmering "Catch Your Wave" (which layers Beach Boys-styled harmonies atop a contagiously jittery new wave melody) and dive into the latter on the young lovers lust-fest "Friday Night."

The quintet - none of who is older than 23 - stands out from the current pop pack on several levels. First, there are those snappy suits (a look that dates back to the days of playing mod covers during off-time at Berklee). The more important distinctions, however, come in the aural realm - in the ringing five-part harmonies that vein just about every song, and in the alternately peppy and atmospheric keyboard parts contributed by Ben Romans.

"I'm a keyboard player trapped in a guitar player's body," he laughs. "I think it's almost comical what we do with keyboards, maybe a little off the wall. It may shadow a band like The Cars or something and we're aware of that, but in the making of this album, we got introduced to a lot of really cool stuff from around 1977-82 that we really weren't aware of before."

Quick learning and stellar instincts earned The Click Five - originally known as The Click - the endorsement of several musicians who were active during that golden era, notably Paul Stanley of Kiss, who co-wrote the strutting "Angel to You (Devil To Me)" with Romans, and Elliott Easton of The Cars, who blazes through the guitar solo on the track.

"We went to see Kiss the day before Thanksgiving of 2003 and then we got to have Thanksgiving dinner with Paul, which was an experience in itself," recalls Romans. "Paul and I sat down to write and it went amazingly well. He taught us a lot about being onstage and about songs - a lot of people forget that someone like Paul Stanley doesn't just write Kiss songs."

The Click Five's members learned a lot about songcraft while playing in a wide variety of high school bands, shifting from covers to originals and from style to style. The core of the band solidified under the roof of the apartment building that lends its name to their debut, a place that Romans remembers as "a rock and roll frat house" with a dozen residents, intermittent heat and a lobby adorned with a huge replica of The Who's logo.

While they were all in different bands at the time, they gravitated towards each other after discovering how huge a swath of musical common ground they shared. And even some they didn't- as guitarist Joe Guese remembers, "We had to study a lot of jazz at Berklee, and while it's a noble style and I certainly learned a ton about the technicalities of my guitar playing, we all really wanted to play music that just gets people out of their seats." The only missing piece was a frontman - a problem that drummer Joey Zehr thought could be solved by recruiting childhood pal Eric Dill, who'd just finished a stint at Purdue University.

"From day one, we decided that this band was going to be our lives - priorities number one, two, three and down the line," says drummer Joey Zehr "I don't even think we realize how successful we are at this point simply because our method of operation was to have a huge goal but then achieve hundreds of small goals to get there."

The band cut its teeth on Boston's notoriously tough club scene (including a three month residency at the legendary Paradise rock club), promptly winning over tastemakers who put them on arena-sized bills with acts like Alanis Morissette, Rod Stewart and Fleetwood Mac. "I was a little worried when we were booked to do those last two," admits Romans. "It was for people my parents' age, but it went over great. I guess a lot of the older folks thought it reminded them of something from their past."

They fared just as well when they played a one-off show with teen sensation Ashlee Simpson - who later tabbed them as one of the opening acts on her 2005 North American tour. "That audience is very young and enthusiastic," says singer Eric Dill. "What's cool is that they're looking for reasons to like you, not reasons to be aloof."

Produced by Mike Denneen (Fountains of Wayne, Aimee Mann, Letters to Cleo), Greetings From Imrie House opens the door to 11 inviting reasons to be fond of The Click Five - from the soaring balladry of "I'll Take My Chances," to the sensual throb of "Resign" and the starry-eyed pining of "Pop Princess." And to prove those pop history lessons stuck with 'em, they even include a cover of the Thompson Twins favorite "Lies," which would make any new wave fan proud.

"That's the song that probably got us to turn in the direction we're in now," says Romans. "We were almost kidding about it, saying 'let's pretend we're in New York in 1978,' but then we realized it's a really great song. Working that out helped us stop worrying about being the coolest band in the world, and to just start trying to be the best."

Eric Dill - Vocals, Rhythm Guitar
Joe Guese - Lead Guitar, Vocals
Ethan Mentzer - Bass, Vocals
Ben Romans - Keyboards, Vocals
Joey Zehr - Drums, Vocals

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free download dont let me go chords by the click five

Don't let me go chords by the click five

Intro: G C G C

G                                           C  D
I can see your shadow lying in the moonlight
G                                               C  D
I can hear you heartbeat playing on my right side
G                            C             Em
Every night I long for this, makin' up what I miss
G                                             C  D
I can hear you breathing letting out a sad sigh
G                   C              Em
You tried so hard, to hide your scars
G              D
Always on your guard

CHORUS
G                     D
Don't, don't let me go
            C     D       C      D
Don't make me hold on, when you're not
G                    D
Don't, don't turn away
          C          Em
What can I say, so you wont
  C                   G
No don't, don't let me go

Verse2
G                                          C  D
I can see the skyline fading in the distance
G                                                  C  D
Tears are coming down, I'm trying just to make sense
G                           C               Em
I don't listen to the radio, just the engine and the road
G                                           C  D
I wonder if my words are making any difference
G                 C           Em
I dream and then it seemed to end
G              D
But always come again

CHORUS
G                   D
Don't,don't let me go
             C    D         C       D
Don't make me hold on, when you're not
G                    D
Don't, don't turn away
         C            Em
What can I say, so you wont
C                       G
No don't, don't let me go

BRIDGE
G              C
I'm coming down, to where you're standing
G           C
I need you now,or you'll be watching
G                 C
Me hit the ground
              D
With crashing in....

CHORUS
G                   D
Don't, don't let me go
             C    D        C      D
Don't make me hold on, when you're not
G                  D
Don't, don't turn away
          C            Em
What can I say, so you wont
C                     G
No don't don't let me go
G                   C
Don't, don't let me go
C                   C
Don't, don't let me go...

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free download catch your wave chords by the click five

Your wave chords by the click five

(Intro)

[D]    [A]    [Bm]    [F#/G]–[G]    [F#/G]–[D]    [F#/G]–[G]—[A]

[D]    [A]    [Bm]    [F#/G]–[G]    [F#/G]–[D]    [F#/G]–[G]—[A]

[C#/D]—[D]           [F#/G]–[G]—[A]
In the middle of the night

[C#/D]—[D]           [F#/G]–[G]—[A]
That's when you caught my eye

[C#/D]—[D]           [F#/G]–[G]—[A]
I chased you round in memories

[C#/D]—[D]           [F#/G]–[G]—[A]
Through the breeze and trees and you tease me

[C#/D]—[D]           [F#/G]–[G]—[A]
But hey,                     The clock's turning around

[C#/D]—[D]           [F#/G]–[G]—[A]
                                  And you're still playing these games

[C#/D]—[D]           [F#/G]–[G]—[A]                     
        It's such a waste to bring me

[Em]   [Em]   [Em]
down, down, down

[G]                           [A]
Don't bring me down cause

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free download The Acoustic Song by Red Jumpsuit Apparatus

The Acoustic Song – Red Jumpsuit Apparatus 
Tuning: Standard

Legend                                                                           
Dwn=Downstroke
Up=Upstroke

////-dwn,dwn,up,dwn,up,dwn   dwn,up,dwn,up,dwn   dwn,up,dwn,up,dwn   dwn,up,dwn,up,
///-dwn,dwn,up,dwn,up,dwn   dwn,up,dwn,up,dwn
//=dwn,up,dwn                                                              
/-dwn

Intro- G////    D////    Em////    Cadd9///    D///

G///   D///     Em///
When I see your smile
Cadd9///            G///
tears roll down my face
 D///    Em///   Cadd9///
I can't replace.

G///                           D///
And now that I'm strong I have figured out
  Em///                   Cadd9///
how this world turns cold and it breaks through my soul,
     G///     D///      Em///            Cadd9///
and I know ill find deep inside me, I can be the one.


G/           D/
I will never let you fall
Em/                   Cadd9/
I'll stand up for you forever
G//                  D/
ill be there for you through it all,
Em/                Cadd9/
even if saving you sends me to heaven.

Intro

G///                  D///
Seasons are changing and waves are crashing
   Em///                     Cadd9///
and stars are falling all for us
G///       D///                  Em///
days grow longer and nights grow shorter
Cadd9///
I can show you I'll be the one.

G/           D/
I will never let you fall
Em/                   Cadd9/
I'll stand up for you forever
G//                  D/
ill be there for you through it all,
Em/                Cadd9/
even if saving you sends me to heaven.

G////
Cause you're my
D////
you're my
Em////
my true love

my whole heart
Cadd9//      D//
please don't throw that away.

G////           D///
Cause I'm here, for you
Em////
please don't walk away and
Cadd9///         D///
please tell me you'll stay, stay...

(with Distortion)
Intro

G///          D///
Use me as you will
       Em///              Cadd9///
pull my strings just for a thrill
G///               D///
and I know ill be okay
         Em///             Cadd9///
though my skies are turning gray.

G///         D///
I will never let you fall
    Em///            Cadd9///
I'll stand up for you forever
G///                  D///
I'll be there for you through it all
Em///              Cadd9///
even if saving you sends me to heaven.

(repeat till fade out)

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free download Angels Cry chord by The Red Jumpsuit Apparatus

D
Well it’s hard to explain
                    Bm
but I’ll try if you let me,
A
Well it’s hard to sustain
         G       A
I'll cry if you let me.
D                              Bm
This doesn't change the way I feel about you or your place in my life.
(Please don't cry)
A                   G         
Can’t you see I'm dying here a shot of broken heart that is chased with
      A
fear?

[Chorus]
D
Angels cry
Bm          
when stars collide
        A
I can't eat
                   G
and I can't breath
                      A
I wouldn't want it any other way.

Verse 2
D
Intentions that were pure have turned obscure
             Bm
seconds into hours, minutes into years.
             A
Don't ask me why
(please don't cry)
        G              A
I can’t tell you lies.

[Chorus]
D
Angels cry
Bm          
when stars collide
        A
I can't eat
                   G
and I can't breath
                      A
I wouldn't want it any other way.
(Repeat)

D    Bm  C        D      Bm    C
My heart,         burns through
D        Bm C     D             Bm - C
My chest,         to the floor.
D                               Bm                  
Tearing me silently although abruptly words cant hide as I'm taking you
            A
home, and I tried to see,
               G   A
tried to understand your words as I'm taking you home

[Chorus]
D
Angels cry
Bm          
when stars collide
        A
I can't eat
                   G
and I can't breath
                      A
I wouldn't want it any other way.
(Repeat)…

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