Time warp back to the '60s. Pop songs, ditties, the British Invasion, The Beach Boys, The Byrds, blah blah blah. With very few exceptions, pop-rock music was all about tunefulness - about making music that was pleasing to the ear. Of course there was an undercurrent of avant-garde and modern classical composers putting a dent in this wall of perfect harmony, but nothing that rocked the boat on a very large scale.
As the years dragged on, the ear-pleasing hits multiplied, and despite innovations from Hendrix, The Velvet Underground and their ilk, the discovery of noise and discordance took a long time to catch on. The '60s rolled into the '70s, and the '70s were almost rolling into the '80s before the punk movement finally exploded. And even punk wasn't that discordant - dust off your old Sex Pistols and Clash records and listen to how catchy their songs are underneath the snarl and the angst. It was only once the aftermath of punk started bleeding into 'post-punk' that bands seemed to realize that it made sense to integrate pure noise into the traditional harmonic scale. And this is thanks to Sonic Youth more than any other band.source:sing365.com
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